Showing posts with label NYQ Books. Show all posts
Showing posts with label NYQ Books. Show all posts

Sunday, April 29, 2012

My Mailbox Midwifes a Couple of Good Poetry Collections


One was Gregory Sherl's new book from Mud Luscious Press, "The Oregon Trail Is The Oregon Trail" an entire collection of poems that explore the timeless dynamics of life and love, through the prism of the dated computer game that some of us grew up with... before you damn kids today,with your Angry Birds and your XBoxesis.

"I love you more than not getting dysentery"

But embellishing its 19th century Pioneer life metaphors with an infusion of pop currency that yields poem titles like
"The Oregon Trail is in my iPhone"
"The Oregon Trail is Pitchfork recommended"
"The Oregon Trail has never seen an episode of Law & Order: SVU"
"The Oregon Trail is Nelly's Band-Aid"

Here's one of my favorites that first appeared in the Spring 2010 issue of Sixth Finch.



The Oregon Trail taught me how to love


In my dreams, we always ford the river.
In the wagon, I cover you with blankets
when you sleep. You often dream of ghosts
while I hunt bison wherever bison live.
The ghosts are vegetarian, your heart
is April wind, raindrops the size of half-dollars.
We never hire the Indian guide. Instead,
we keep the five dollars, roll it up, hide
it in my wool sock. You look better in 3D.
I touch your breasts with my fingertips.
Then I touch your breasts with my whole
hand. I swallow the idea of independence,
finding the West before the dirt was soiled
by factories that build heat-seeking missiles,
amusement parks & chain restaurants.
Chimney Rock is underwhelming. I spit
in the cracks of the rock, tiny crevices
that hide who the fuck knows. You are hot
shit & the other carpenters from Ohio
are jealous. They think about your hair
while they’re inside their wives, think about
your dimple while they try to repair the axle
on their wagon. True love is finding wild
fruit. We eat without bibs. By rivers, I sleep
easy, knowing you’re cleaning the clothes nearby.


I also received Kris Bigalk's debut from NYQBooks, "Repeat The Flesh In Numbers"




I like to draw connections between things that "accidentally" intersect in my world, though they had no intention of being connected. So these two books will always be linked in my mailbox and mind. In that light, "Repeat The Flesh In Numbers" feels like the flash-forward follow-up to Sherl's book, checking in with these settlers of the modern world and the daily hardships and decisions that face them in this urban wilderness.

I like collections that aren't afraid to mix it up. Allowing playful poems like "Mr.Spock Always Gets Stuck in Aisle 13 - Cereal and Breakfast Items" or "Dr. Barbie's Abortion Clinic" to break up somber recollections like "The Boy Next Door , Home From Vietnam - 1976" that keep haunting after you've turned the last page. Here's an earlier prose version of one of the poems as it first appeared in a 2009 issue of Bare Root Review:


The Alternate


When I was thirteen, I rode the bus home from school, the bumps jostling my shoulders,
worrying the day's conversations through my head. I had pimples, my dishwater blonde hair was stringy, I didn't own a pair of Calvin Klein jeans like Brooke Shields, and besides, a thick pair of cotton underwear came between me and my Levi's every day. My older sister, smooth-skinned, raven-haired, sat in the back of the bus, let a boy rest his hand on her knee, rolled her eyes if she caught me looking, the boy snickering until my cheeks stained.

When we got home, my sister took the telephone and went to her room, locking the door. I took down the 22 rifle and loaded it with shells, walked out the back door, flicked off the safety, and sighted on the blackbird that perched on the tip-tops of the spruce trees behind our house, the trees that towered between me and the rolling cornfields, the trees that sheltered us from the road, from the round headlights of passing cars, from the wind that blew hard against their branches, turning into whispers.

I set the rifle to my shoulder, fit it into that tender slot between socket and collarbone, squinted my left eye, lined up the ball between the forked sight, then focused
everything on that stupid blackbird's head, and squeezed, slight, slight, until the tension blew back, the hammer threw, and the blackbird dropped through evergreen branches like a stone.






Wednesday, December 7, 2011

Preview of some poetry books I will be handing out at tomorrow's gift exchange/reading



as Basho would say:


ho ho ho ho ho
ho ho ho ho ho ho ho
ho ho ho ho ho


I'm making my lists and checking them twice for tomorrow night's White Elephant Contemporary Poetry Gift Exchange reading at Glendale Community College.

I ordered several books to giveaway throughout the night (by way of Johnnie Clemens May's generosity) and I was going to preview some of them here, but I will wait until after the event, for those who like surprises.


In the meantime, I must thank a few other people for contributing their work.

Cathy Capozzoli was a featured poet for one of our earliest events. She now lives in New Mexico, but she sent me some copies of her new chapbook Solstice Windows from Blue Light Press. It's a collection of Ghazals and here is my favorite:


     Too Close For Comfort



     The cat curves her back in four directions
     before dawn. Geckos leave the outdoors.

     Venus follows the moon. I take breakfast
     from sweets. My throat is full of dreams.

     This morning's fleas will die before dusk.
     Turn off the fan; the day has November on its breath.




She also included copies of her husband Sherman Souther's chapbook Surgical Bru-Ez from Tinfish Press. I am glad they are still able to participate across state-lines.


Another big thanks to New York Quarterly Editor Raymond Hammond. I ordered a wonderful book that he published in his NYQ Books series (I will post about that one, in a few days) and he donated three other NYQ titles to giveaway, along with it. So I will also be handing out copies of Grace Zabriskie's Poems, Monique Ferrell's Unsteady, and Amanda J. Bradley's Hints and Allegations.
It's important to show people that there are still presses out there in this Kindled world that are publishing actual poetry books with interesting cover art that can be held in your hands, while thumbing through the pages and smelling the ink of each word.



I look forward to seeing what everyone else brings tomorrow.
I will make sure to post a follow-up report and elaborate on which books I chose to disseminate.

until,